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The Violin Concerto No. 3 in G major, K. 216, was composed by Wolfgang Amadeus Mozart in Salzburg in 1775. Mozart was only 19 at the time.
By the age of nineteen Mozart encouraged by his father Leopold had become increasingly anxious that a place should be found for him in a more distinguished position than Salzburg could ever offer. His dissatisfaction was to lead to his attempt to find employment in Mannheim or in Paris, and finally, in 1781, to a breach with his patron the Archbishop and to a final decade of precarious independence in Vienna.
Limited as it might have been, Salzburg, all the same, offered some opportunities. In 1775 the Archbishop commissioned a setting of a Metastasio libretto, Il re pastore, for the official visit to the town of the Archduke Maximilian Franz in April. The violin concertos were written later in the year and as we have seen provided at least a reminder of Mozart's achievement during his long absence.
The Concerto in G Major, K. 216, shares the greater popularity of the last three of the series. The opening Allegro offers an orchestral exposition in which the principal themes are declared, the first of them having already appeared in Il re pastore. The soloist repeats the principal theme and by means of new material leads to the second subject, both duly developed and re-established in the final section of the movement
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VIDEO: Wolfgang Amadeus Mozart - Violin Concerto No. 3 in G major, K. 216
I. Allegro (00:00)
II. Adagio (10:35)
III. Rondeau. Allegro (21:00)
Hilary Hahn, violin
Stuttgart Radio Symphony Orchestra
Gustavo Dudamel, conductor
Symphony No. 11 in D major, K. 84/73q, was at one time considered unquestionably to be the work of Wolfgang Amadeus Mozart. Its status has, however, been challenged, and (as of 2008) remains uncertain. It is believed to date from 1770, and may have been written in Milan or Bologna, if it is a genuine Mozart work. An early manuscript from Vienna attributes the work to Wolfgang, but nineteenth century copies of the score attribute it respectively to Leopold Mozart and to Carl Dittersdorf. Neal Zaslaw writes: "A comparison of the results of two stylistic analyses of the work's first movement with analyses of unquestionably genuine first movements of the period by the three composers suggests that Wolfgang is the most likely of the three to have been the composer of K73q".WIKIPEDIA
The symphony is in three movements, lacking a minuet and trio. Nicholas Kenyon opines that there is "little special" about the work, while Zaslaw finds a "Gluckish ambience", and some affinity with opera buffa in the repeated triplets found in the Finale. Mozart: Symphony No. 11 in D Major, K. 84 (Complete)...
The Symphony No. 8 in D major, (K. 48), by Wolfgang Amadeus Mozart is dated December 13, 1768. It was written in Vienna, at a time when the family were already due to have returned home to Salzburg. In a letter to his friend in Salzburg, Lorenz Hagenauer, Leopold Mozart says of the delay that "we could not bring our affairs to a conclusion earlier, even though I endeavored strenuously to do so." The autograph of the Symphony No. 8 is today preserved in the Staatsbibliothek Preusischer Kulturbesitz in Berlin. The symphony is in four movements, and is scored for two oboes, two horns, two trumpets, timpani and strings. The inclusion of trumpets and timpani is unusual for Mozart's early symphonies. It has described as a "ceremonial work".
8notes Bio
Leopold Mozart is best known today as the father and teacher of Wolfgang Amadeus Mozart, and for his violin textbook Versuch einer gründlichen Violinschule. He was born in Augsburg, son of Johann Georg Mozart (1679–1736), a bookbinder, and his second wife Anna Maria Sulzer (1696–1766). From an early age he sang as a choirboy. He attended a local Jesuit school, the St. Salvator Gymnasium, where he studied logic, science, theology, graduating magna cum laude in 1735. He then moved on to a more advanced school, the St. Salvator Lyceum.
Leopold discovered that his two children were musically gifted in about 1759, when he began with keyboard lessons for the seven-year-old Nannerl. The toddler Wolfgang immediately began imitating his sister, at first picking out thirds on the keyboard and then making rapid progress under Leopold's instruction. By 1762, the children were ready to work as concert performers, and Leopold began taking the family on extensive concert tours, performing for both aristocracy and public, throughout central and western Europe. This tour included Munich, Vienna, Presburg, Paris and the Hague together with a lengthy stay in London; see Mozart family Grand Tour.
The discovery of his children's talent is considered to have been a life-transforming event for Leopold. He once referred to his son as the "miracle which God let be born in Salzburg"
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